It may not get the same affection lavished on
"Iron Man" or "Captain America," but the "Thor"
franchise looks set to complete a record year for Marvel on its opening
weekend.
Bolstered by glowing early reviews, "Thor:
Ragnarok" -- the third instalment of the God of Thunder's intergalactic
exploits -- is projected to take $90 to $100 million from Friday through
Sunday.
If it hits the higher end of that estimate, the
Disney-owned studio will celebrate its first hat-trick of $100 million-plus
domestic openings in one calendar year -- following the success of
"Guardians of the Galaxy: Vol. 2" and "Spider-Man:
Homecoming."
Indie director Taika Waititi's quirky sense of humor
is being credited with piquing interest in the franchise, four years after the
listless "Thor: The Dark World" performed well at the box office but
failed to wow critics.
"'Thor Ragnarok' is one of the funniest Marvel
Studio movies thus far, definitely the best Thor film," Peter Sciretta,
owner of the SlashFilm entertainment website, tweeted after a preview
screening.
Yahoo Entertainment writer Kevin Polowy described
the movie as "hilarious & weird & offbeat & retro &
sublime," adding: "Love how Marvel let Taika Waititi make a movie
that's Waititi-ish as hell."
The 17th movie in the Marvel Cinematic Universe
(MCU) -- a series of superhero films that have taken a combined $12.6 billion
worldwide since 2008 -- opens with Thor imprisoned on the other side of the
universe without his mighty hammer.
The Prince of Asgard finds himself in a race against
time to get back to his homeworld and stop "Ragnarok" -- the end of
Asgardian civilization -- at the hands of an all-powerful new threat, the
ruthless Hela.
Chris Hemsworth ("Rush," "In the
Heart of the Sea") plays the titular hero for a third time, joined by
fellow returnee Tom Hiddleston ("The Night Manager," "Kong:
Skull Island") as Thor's duplicitous adopted brother Loki.
Two eye-catching newcomers are double Oscar-winner
Cate Blanchett ("Blue Jasmine," "Carol") as the villainous
Hela and a deliciously eccentric Jeff Goldblum ("The Fly,"
"Jurassic Park") as the dictatorial ruler Grandmaster.
First introduced by the now-legendary Marvel Comics
duo of Stan Lee and Jack Kirby in 1962, Thor's first two big screen outings in
2011 and 2013 earned a combined $1.1 billion worldwide.
But Marvel Studios chief Kevin Feige was looking for
a director who could redefine the tone of the franchise for the three-quel, to fully
exploit Hemsworth's arguably underused comic talents.
More known for independent, low-budget storytelling
in the acclaimed comedies "What We Do in the Shadows" (2014) and
"Hunt for the Wilderpeople" (2016), Waititi felt he'd made his mark
in that world, and wanted to stretch himself.
The result is a breakneck space adventure with
powerful, character-driven emotional interludes but more self-aware punchlines
than almost any other entry in cinema's rich canon of superhero movies.
Waititi told a news conference in Beverly Hills he
assumed Marvel had "lost their minds" when they approached him and
concluded that "they're just hiring anyone now."
"It's a huge, huge film. And what can be
distracting on set is if you look over your shoulder, and you see 300 people
standing there," he said.
"I just had to keep reminding myself what's
more important is what's inside the rectangle and, usually, it's two or three
people trying to remember their lines."
The movie, which hits US theaters on November 3,
features scene-stealing turns from MCU debutants Goldblum, who said his
involvement was "a dream come true," and Blanchett, playing Marvel's
first lead female villain.
"Apart from working with these guys, obviously,
the chance to finally, in my deep middle age, get fit and to wear that much
lycra, was really exciting for me," she joked.
Thor also gets to kindle a cute comedy bromance with
his bad-tempered ally The Hulk (Mark Ruffalo), last seen rocketing into space
aboard the auto-piloted Quinjet in "Avengers: Age of Ultron."
When Hemsworth suited up once again to play Thor, he
was excited by the more brash, adventurous direction the Asgardian prince was
being pushed in, he said.
The Norse hero has been largely deprived of his
iconic hammer and shorn of his flowing flaxen locks, but Hemsworth said
shedding familiar characteristics helped him make a fresh start.
""And I wanted it to be unfamiliar, and so
everything from the hammer to the costume, the hair... forced me to move
differently, and so that was a great thing," he said.
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